【尖端講座系列】第三十場 At the Mall with Fish

【尖端講座系列】第三十場

主講人：Ian Buchanan（臥龍崗大學人文與社會科學學院教授）

講題：At the Mall with Fish

主持人：廖咸浩（國立臺灣大學外國語文學系特聘教授）

時間：3/28(一) 10:00-12:00 A. M. (GMT+8)

地點：臺大文學院演講廳＋同步Youtube線上直播

主辦單位：國立臺灣大學人文社會高等研究院

合辦單位：國立臺灣大學人類學系、國立臺灣大學外國語文學系

摘要：

It is my sense that most people only ever encounter actual living marine creatures at an aquarium. This obviously excludes snorkelers and SCUBA divers (they are, however, a very small percentage of the population), but even then none but the most avid divers would ever see anything like the variety of species and ecosystems that can be seen at an aquarium in the course of their lives. As such, it seems not unreasonable to speculate that aquariums could have the potential to catalyse new forms of relating and caring. In examining aquariums from a cultural studies perspective, I want to ask several interrelated questions at once. I want to know if seeing living aquatic creatures inspires feelings of attachment and care; I also want to know if these feelings differ from the feelings generated by seeing aquatic creatures on plate. Similarly, I want to know if seeing living aquatic creatures is more or less affecting when seen ‘in person, so to speak, as opposed to seeing them on a screen in David Attenborough or Jacques Cousteau documentary. Obviously enough I cannot hope to answer all these questions, so I will restrict myself to just one question: I want to know how aquariums ‘work’ (in Deleuze and Guattari’s sense of that word) as cultural institutions. Using language that could have been drawn from the work of Deleuze and Guattari (but wasn’t), Davis offers an answer to this question in her ground-breaking book Spectacular Nature that I find helpful as a starting point. She says the aquarium functions as “a kind of machine that structures vision in highly specific and thoughtfully determined ways.” Aquariums, she says, are in the ‘feelings’ business: they have to generate feelings of excitement and interest and they have to avoid “boredom, uneasiness, anxiety, disgust, and pity.” That is to say, nature isn’t intrinsically appealing – in the sense of compelling people to part with their money – all by itself, it needs to be framed in very particular ways to produce that interest.